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                  ANTENNAE

                  THE JOURNAL OF NATURE

                  IN VISUAL CULTURE

                   

                   

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  Antennae: The Journal of Nature in Visual Culture

                  The interface is an agentially charged field — it reveals itself as a productive material dimension through which our thinking, questions, and assumptions are formed, mapped, shaped, and tested. From this perspective, the interface manifests itself as an artistic material surface—a creative and reactive  field through which we modulate the bandwidth of a perceptual gap—the poetic and philosophical distance between us and the actants and systems we study. And because of its inherent agential potential, the interface is also prone to become an ethicalbattle field. In- terfaces are sites of negotiation—they are selective. The same interface reveals very di erent aspects of reality when used in di erent disciplinary settings. a

                  s

                  DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

                  LYNNTURNER

                  RONBROGLIO KATHYHIGH JESSICAULLRICH

                  HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

                  MARIAVERSTAPPEN

                  KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

                  ANGELASINGER

                   

                   

                  CAROL J ADAMS

                  SUZANNE ANKER

                  JONATHAN BIRTH

                  DOROTHY CROSS

                  CARSTON HOLLAR

                  GARY HUME

                  OLEG KULIG

                  ROSEMARYTROCCO

                  PAULINE OLIVERO

                  PETER SINGER

                  LOISWAINTERBER

                  CARY WOLFE

                   

                   

                   

                  Keith Armstrong | Elizabeth Atkins | Sarah Bezan | Lee Blalock | Sougwen Chung |  Anna Dumitriu | Gilberto Esparza | Aki Inomata | Eduardo Kac | Roger Malina |

                  Sam Nightingale |Laura Splan | Bernd

                  Scherer | Dana Simmons | Sylvia Solakidi | Andrew  Yang  

                  AND MANY MORE

                  ANTENNAE

                  THE JOURNAL OF NATURE

                  IN VISUAL CULTURE

                  ISSUE 48 — SUMMER 2019

                  interface

                  From this generative condition, however, sometimes stems the mistrust that limits collaborations in art and science. It is in this context that, in art and science, the interface can be configured as a political site of negotiation through which we can envision alternative futures. This is one of the most important roles collaborations in art and science can play—to instill empathy and promote engagement in the conception of a world that’s more than a resource and that we can engage with beyond the baseline of functionalism.

                   

                  This is the second installment of a project co-edited in collaboration with American artist and philosopher Jonathon Keats whose bold experiments have raised important questions and put into practice his conviction that the world needs more “curious amateurs” willing to explore publicly whatever intrigues them in defiance of a culture that increasingly forecloses on wonder and silos knowledge into narrowly defined areas of expertise.

                   

                  IN THIS ISSUE

                  Dr. GIOVANNI ALOI

                  Editor in Chief of AntennaeProject

                  34 essays and interviews

                  featuring key contemporary artists and scholars

                  329 pages

                  202 illustrations

                  GEERDT MAGIELS

                  p 93

                  p 69

                  p 72

                  Art and science start from the same sense of wonder. The art of critical observation is a basic ingredient of all research: the assessment and analysis of acts, statements or thoughts. The critical mind searches for the limits of what people know or think they know, it examines the scope of available knowledge, and in so doing also calls for modesty.

                  MICHAEL McCLURE: MEAT THYSELF

                  by Stefan Benz

                   

                  Biologist and philosopher of science Geerdt Magiels talked to Koen Vanmechelen about his work. Each piece tells a story in which the local

                  and the global interact. A reflection on

                  art, science, culture, and society.  MORE >>

                   

                  Gilberto Esparza is a Mexican artist

                  whose work involves electronic and

                  robotic means to investigate the

                  impacts of technology in everyday

                  life, social relationships, environment

                  and urban structure. He currently

                  conducts research projects on

                  alternative energies. His practice

                  employs recycling consumer

                  technology and biotechnology

                  experiments. MORE >>

                   

                  Parasitos Urbanos’

                  Text and Images by Gilberto Esparza

                   

                  LABIOMISTA: Biology, Art, and Philosophy

                  Text Geerdt Magiels, Images Koen Vanmechelen

                   

                  Laura Splan’s Embodied Objects series uses biosensors to produce data-driven forms and patterns for objects and images. The project

                  examines the potential for objects to embody human experience and to materialize the intangible.  MORE >>

                   

                  Embodied Objects

                  Text and images by Laura Splan

                   

                  Roger Malina’s remarkable career spans the natural sciences, art, design, and education. In this interview with Andrew Yang, Malina discusses his exceptional role as editor of Leonardo and the challenges involved in working at the intersection of art andf science. MORE >>

                   

                  A Node within a Network of Networks: An Interview with Roger Malina

                  Andrew Yang interviews Roger Malina

                   

                  As a neuroscientist, Dana Simmons studied how autism affects the cerebellum, a brain region that supports our balance and posture,

                  and helps us learn new movements.

                  Dana used a high-powered microscope and manipulated laser light and color filters to create these intriguing neuron portraits.

                  MORE >>

                   

                  Dana Simmons: Micrographs

                  Text and Images text by Dana Simmons

                   

                  Inomata’s work often involves 3D printing and relies on collaborations with animals. Together, works like Why Not Hand Over a ‘Shelter’ to

                  Hermit Crabs? and Think Evolution draw important considerations on notions of deep-time, mobility, temporality, and change. MORE >>

                   

                  Aki Inomata:

                  Think Evolution

                  Text and Images by Aki Inomata

                   

                  Para-photo-mancy is a series of experimental photographic artworks that utilise the inherent photo(phyto) chemical capacities of plants to

                  produce images. MORE >>

                   

                  Sam Nightengale's

                  Para-photo-mancy

                  Text and images by Sam Nightengale

                   

                  This article considers the health and safety challenges that my collaborators and I face in producing and exhibiting artworks, which take

                  the form of sculptural objects or installations and incorporate diverse materials such as altered historical objects or textiles combined with bacteria and DNA.  MORE >>

                   

                  Contemporary Relics:

                  Threads Across Time

                  in Bio Art

                  Text and images by Anna Dumitriu

                   

                  As consilience results from transformation through the mirror of the other, Jan Fabre takes from Giacomo Rizzolatti a model for his

                  theatre and Rizzolatti takes from Fabre an image for brain function.  MORE >>

                   

                  Let Yourself be a Mirror

                  By Sylvia Solakidi

                   

                  An artist reflects on research-based

                  practice, the conception of a special

                  committee Ph.D. in Interdisciplinary

                  Arts and Science at the University of

                  Wisconsin-Madison, and the privileges

                  of working, learning, and teaching at the

                  intersections of disciplines. MORE >>

                   

                  Sougwen Chung:

                  Drawing Operations

                  Text and images by Sougwen Chung

                   

                  Inspired by science fiction, futurism, and technology itself, Lee Blalock’s work is an exercise in body modification by way of amplified behavior or “change-of-state”.

                  MORE >>

                   

                  Engineering Spaces

                  for Cyborgs

                  Text and Images by Lee Blalock aka L[3]^2

                   

                  Regenesis Aesthetics: Visualizing the Woolly Mammoth in De-Extinction Science

                  By Sarah Bezan

                   

                  Art-Eco-Science practitioner Keith Armstrong and sustainability scholar Tania Leimbach explore how artists hope to radically transform ourattitudes, perceptions, and modes of

                  participation. MORE >>

                   

                  Art-Eco-Science.

                  Field Collaborations

                  In-conversation: Keith Armstrong and

                  Tania Leimbach

                   

                  This essay explores the interconnecting elements at play in the practice of Tomás Saraceno, one very much studio-based and rooted in human/non-human collaboration.

                   

                  Tomás Saraceno:

                   

                  Eduardo Kac is considered a pioneer of bioestetic and telematic research. He is widely recognized for his interactive installations and his Bio Art. His work deals with issues that range from the mythopoetics of online experience to the cultural impact of biotechnology, collective agency the

                  creation of life and evolution.

                   

                  Bernd Scherer, director of HKW in Berlin talks to Giovanni Aloi about the importance of engage-ment in the context of anthropogenic research and contemporary art

                  BROWSE ANTENNAE 47

                  p 52

                  p 13

                  p 164

                   

                  Interfacing nature and culture throughart and science

                   

                   

                  By Elizabeth Atkinson

                   

                  Eduardo Kac:

                  From Holopoems to Outer Space

                   

                   

                  Giovanni Aloi interviews Eudardo Kac

                  Curating the Anthropocene

                   

                  Giovanni Aloi interviews Bernd Scherer

                   

                  Bernd Scherer:

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